What Do Film And Video Editors Do?

Well, you are here, because you are interested in film and video editors.


Great! Let’s go…We will try to find out how to film and video editors perfectly. But as you know, film and video editors aren’t read. Isn’t it? Then what?

Don’t worry. I will explain the film and video editors here perfectly. Hope you will love it.

Film and video editors work in a variety of places, from broadcast facilities to film studios. Their skills are generally divided into two kinds: creative and technical.

Read more: How To Be A Film Editor?

What Is The Difference Between Film And Video Editor?

The main difference between film and video editors is what they edit: film or video. Film editors typically work in a sound-proof room with an Avid (a computerized editing system) and do what they can to make the initial footage provided by the director what he/she envisioned when filming began. With this type of equipment, any added sounds, special effects, or music must be accomplished within the confines of what is on each frame’s reel.

Video editors work more closely with directors because shooting video requires a lot more effort; there are no reels to use as a foundation for what goes onscreen. Video editors have very specific tools at their disposal used to choose exactly what makes it onto the screen out of what could potentially go there. Other Video Editing Software: Adobe Premiere, Final Cut Pro, After Effects (video editing), Vegas Pro, etc.

Video editors might make what happens onscreen appear as though it happened in real-time; they can manipulate what the audience sees to make what is happening to seem more intense or suspenseful than what was actually shot. Film and video editors have different creative requirements and responsibilities at work because of what they edit.

What Do Editors Usually Work With?

Some editors work with what is called dailies, which are footage from what was shot the previous day. Depending upon what type of film or video, what they edit may be a rough cut (which could be anything from what was filmed over and over again) to what has already been edited into what is known as a “workprint.”

Other materials that editors might work with include: script drafts; character sketches; storyboards; research reports on potential actors, locations needed for certain scenes, or location filming spots. Editors who work in television often have to deal with multiple directors and producers all trying to get their points across during production meetings.

Film and video editors must make sure that what ends up onscreen reflects what each director wanted what was filmed to be; what is included and what is left out are what editors have the most control over, as long as what they choose respects what each director wanted what he/she filmed to look like.

What Different Tools Do Editors Use?

Basic editing includes cutting film or video footage with a pair of scissors and taping it together (again, using only what was filmed), or with an Avid, if what you are doing is going towards broadcast television. The more freedom you’re given during production, the easier your job will be later on in post-production when what you edit comes back from the lab where it has been copied for what will eventually air on TV or at theaters. Video editors also use digital cameras.

Final Cut Pro software (for what is often called “green screen” or “chroma-key”), After Effects (video editing), Final Cut Pro, and things such as Wacom tablets for what you can do with what’s onscreen.

What Music Do Film and Video Editors Use?

Music can sometimes tell its own story without any visuals, which means that a film or video editor has to decide what type of score to use as well as how much.

If there are too many types of music used in one scene, then audiences can become confused as to what they are seeing or what they should be feeling. In the film, what needs to be included in what is shot usually allows for the inclusion of what the director decides is right at any given moment in time.

What Do Editors Present To Producers?

At some point during the editing process, what an editor has is what he or she hopes is what will be shown to a producer. Other things that are presented to producers by film and video editors include rough cuts. Sound edit (if there was no pre-existing soundtrack); color correction (depending upon what type of footage ends up being used in what was filmed), etc.

What Do Film And Video Editors Earn?

Most seasoned editors who are working full-time in what they do for a living make anywhere from $75,000 to $125,000 per year.

In television, what an editor can earn depends upon what he or she is expected to deliver when it comes time to show what has been edited to what was shot during production. Producers may have what’s called a “dailies” session; what they ask for from their editors at this point could be what ends up on TV later on down the road.


Film and video editors are responsible for many aspects of the final product. They use their skills to create a story from raw footage, piece together scenes, manage audio levels, color correct shots, add titles and credits at the beginning or end of videos (depending on what they’re editing), and do some primary visual effects work like adjusting contrast and sharpness in an image/video as well as adding transitions between clips.

Most people think that this type of job requires extensive technical knowledge and years upon years’ worth of experience but those things aren’t necessary. The most important thing about being a film editor is having a good eye for storytelling which means you need to be able to recognize when there’s something off with timing or continuity within your footage.

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